Clay fat faced gargoyles.

Clay fat faced gargoyles.

The work describes the artistic exploration of psychological conditions of unease and anxiety located between cultural connotation and natural conditions. Accompanying the famous Scottish cult outsider artist and hermit Marcella Macintosh through her incomplete tomb situated far away from social bonding Coombes explores her cave’s scenography of fat penis faced gargoyles. Within the sepulchral structure the achievements of Macintosh’s lifetime, which is characterized by “frustration, ego, anxiety and resentment” lead him to the initialism FEAR.